By Erick Ihlenburg, October 2nd, 2013 
Well, I’m currently out of work. Rent is due today.
But what if I refuse to pay the rent UNLESS my landlord agrees to change the lease, lower the rent, give me my security deposit back, allow for pets and let me borrow his car once a week to pick up groceries? Better yet, no rent will be forthcoming unless he immediately cancels the lease, sets it on fire and allows me to decide how much rent I feel like paying each month. No? I simply won’t take no for an answer, even if it means I’ll be evicted next month.
I’m really tired of being thrown under the bus by these backward-thinking extortionists in the House of Representatives. Today America is really, literally broken. Still, I hope that congressional leaders and the president do not appease the hostage takers. That would be a very bad precedent to set for future congresses and presidents. Paying the ransom would only encourage the hostage takers to exact more demands the next time rent is due, no matter how unrealistic or unrelated the demands may be. The DC gridlock would continue indefinitely. It’s BAD FAITH to include the same poisonous pills in what should be routine legislation to keep the government running and pay the bills that are already racked up.
Who cares about election results? Who cares what the Supreme Court says? If you don’t agree to X, Y and Z, we will blow up the government and force the first default in American history! What kind of governing is that? Is that a democratic way to resolve disagreements?
House Speaker John Boehner refused to let the House vote to temporarily keep the government open at the current sequester levels, with no other strings attached, just to buy time to negotiate an actual budget. But because this approach would not destroy Obamacare, the Tea Party has instructed Boehner to block it. Why won’t Boehner allow the democratic process to play out in a full House vote, like the Senate did? Because the simple stop-gap bill would pass with BI-PARTISAN support, throwing the . . .
Read more: Shutdown! Shut Out! Reflections of a Federal Government Worker
By Jeffrey C. Goldfarb, September 19th, 2013 
 Aristide Zolberg was a leader in our shared long standing intellectual home, The New School for Social Research, as he was a path breaking, broad ranging political scientist. Today the New School is celebrating his life and work. To contribute to the day, I am re-posting a piece we put together last April.
Ary was, crucially, a good man. In this post, Kenneth Prewitt, Michael Cohen and Riva Kastoryano join me in remembering a great scholar and gentleman. -Jeff
He started his career as an Africanist, whose work on the Ivory Coast stands as a classic in the field. Aristide Zolberg became famous as a stellar essayist, whose sharp creative insights could illuminate in elegant strokes great puzzles of the human condition, including perhaps most significantly his “Moments of Madness,” a deeply learned piece reflecting on the telling question he posed: “If politics is the art of the possible, what are we to make of the moments when human beings in modern societies believe that ‘all is possible’?” And then there is his great achievement: A Nation by Design, his magnum opus. It is both a crucial account of an under examined part of the American story, while it is rich with comparative insights, as Riva Kastoryano describes in her reflections. It is a classic for reasons that Ken Prewitt underscores.
Ary was a disciplined scholar, as Michael Cohen highlights, who crossed disciplines freely, a tough – minded empiricist with great imagination. He was also a man who experienced a great deal, both the good and the bad life offered in his times. A Holocaust survivor, whose memoirs of his childhood await publication, he was married to the great sociologist of memory and art, Vera Zolberg. (For my appreciation of my intellectual relationship with Vera click here)
Ary and Vera, co-conspirators, together for sixty years, they were a beautiful team, and as a team they contributed to family (their children Erica and Danny and many more), . . .
Read more: Aristide Zolberg, June 14, 1931 – April 12, 2013
By Tim Rosenkranz, May 28th, 2013 
“Say Yes to the Dress” portrays one of the existential dilemmas women in the age of consumer society face. It is an emotional rollercoaster of wonder, judgment, deliberation, budgeting, frustration and decision. “Say Yes to the Dress” is a reality-TV show on TLC. For some, the show might look like a scene straight out of Theodore Adorno’s nightmare of “mass deception,” the display of the human tragedy in a world of commodities. But “Say Yes to the Dress” also presents in 60-minute segments, why the critique of consumer culture misses the point: Commodities are more than the meaningless, exchangeable representations critical theory makes them out to be. Instead, commodities mean everything to people. We cry, laugh, scream, or fight over them and we triumph or fail through them.
“In a series of posts, Jeff Goldfarb and I [Iddo Tavory] have been sketching an outline for the study of the social condition — the predictable dilemmas that haunt social life. We argue that one of the core intellectual missions of sociology is to account for the ways in which social patterns set up these dilemmas that actors experience as crucial for their lives and how they define themselves.”
I have been following Jeff and Iddo’s project for a while, and I suggest that it will help to further the understanding of the social condition if we take seriously the daily dramas of consumption, both as comedy and tragedy. “Say Yes to the Dress” is one of these social dramas, based on the very premise that buying a wedding dress really matters, that people do not make their consumption decisions lightly.
Of course “Say Yes to the Dress” is an edited and selective social drama, following a similar script each episode. The bride comes into the wedding dress shop with her entourage (family and friends). The consultant clarifies the parameters of the desired dress, first with the bride alone: What does she want, what is her budget? Then, the two pick some options in a dressing room. The bride dresses, and the trial . . .
Read more: “Say Yes to the Dress” – Consumption and the Social Condition
By Jeffrey C. Goldfarb, May 24th, 2013 
In the news accounts on graduation ceremonies, the speeches of public figures are highlighted. This is not a bad thing. Important matters, more deliberately considered, are put on the public agenda. Thus, to take a key example, President Obama has used commencement addresses to present his deep assessment of the state of the union, as a recent report by NPR reveals. Obama, as the ceremonial speaker seriously reflects on the gap between past and future, assessing American promise and problems, using his full intelligence, free, or at least somewhat free, of the inside the beltway logic of official Washington and the popular media. A good thing, no doubt.
Yet, for me, significant oratory by Obama, and lesser public speakers, is not where the real action is on graduation day. Rather, I focus on the achievements of the graduates, our students and their promise, what they have said and done already, and where they may bring us. They help me understand the personal and the political, and all that lies in between. It is with this in mind that I am leaving my house this morning for The New School’s commencement, thinking once again about the relationship between promise and practice at The New School, specifically as it is revealed in the work of three new Ph.Ds.
Julie Tel Rav, a trained architect, turned sociologist, and a rabbi’s wife, used her broad creative and intellectual interests, and her communal experience to examine how the material environment influences ritual and everyday life of a religious community. In Set in Stone: The Influence of Architecture on the Progressive Amercan Jewish Community, she explores Jewish synagogues and community centers across the country, and how the built environment supports and undermines the goals of congregations. Particularly interesting is her thesis that the makers of the buildings seek to use physical space as a key support for Jewish ritual communal life, substituting space for time. This was her unanticipated finding, which emerged as her research proceeded. It was her discovery, which I found particularly interesting, as I . . .
Read more: Commencement: Principle Practiced at The New School for Social Research
By Jeremy D. Safran, May 16th, 2013 
In an article in The New York Times last week, “Psychiatry’s Guide is Out of Touch with Science, Experts Say,” science reporters, Pam Belluck and Benedict Carey, describe an important new initiative by the National Institute of Mental Health (NIMH), the largest source of federal funding for mental health research. The new initiative criticizes the soon to be published fifth edition of the Diagnostic & Statistical Manual of Mental Disorders (DSM-5), offering a new framework for guiding research and focusing funding priorities in mental health research. Belluck and Carey’s article emphasizes the optimism and excitement shared by a number of prominent experts about the adoption of this new framework, known as the Research Domain Criteria (RDoC). In order to understand the true significance of this development, it is important for us to have a greater appreciation of the broader context in which this important change is taking place. I am ambivalent, some significant problems are being addressed, but other problems may be exacerbated in this latest development in the politics of the sciences of the mind and the brain.
Towards the end of May, the American Psychiatric Association will release its new edition of the Diagnostic and Statistical Manual of Mental Disorders (DSM-5). This long awaited update of the DSM (colloquially referred to by some as the “Bible of Psychiatry”) has been the focus of considerable prepublication controversy among mental health professionals and has been discussed extensively in important media outlets including The New York Times. Previous editions of the DSM have also received media attention. But DSM-5 has raised the intensity of the controversy to unprecedented heights, in part because of the widely publicized criticisms of psychiatry insiders including Allan Frances (the chair of the task force that developed DSM-4) and Robert Spitzer (who chaired the DSM-3 task force). Criticisms of DSM-5 are similar in nature (if not intensity) to those leveled at both DSM-4 and DSM-3. For example, claims for the degree of reliability of diagnostic categories are exaggerated, evidence . . .
Read more: Psychiatry in the News and the Medicalization of the Emotional Life
By Jeffrey C. Goldfarb, May 11th, 2013 
“There are more than 8 million ordinary objects in this city that carry within them a sense of its inimitable expression. They express its thundering diversity or a thorough particularity; they connect us to other places, past and present or moor us to the here and now; they enliven or aggravate daily life; they epitomize the city at large or hold true to one of its neighborhoods. They may be small, held, and mobile, or large, unwieldy, and stationary. Well-designed or just well-used, they live and survive, creating a ripple of small meanings.”
With this declaration my colleague, Radhika Subramaniam, the chief curator of Sheila C. Johnson Design Center, invited New School faculty, including me, to contribute to her unusual show at the Anna-Maria and Stephen Kellen Gallery planned for this summer, “Masterpieces of Everyday New York: Objects as Story.”
Radhika hopes a diverse group — designers, artists, anthropologists, sociologists, psychologists, historians, writers and musicians — will identify meaningful material objects in everyday life and use them to tell the story of our city. I am intrigued. She has provoked me to think about my material environment and how it speaks to me, and the broader theoretical and political implications of this.
As the author of The Politics of Small Things, I also have special interest. My “small things” was inspired by Arundhati Roy’s in the novel The God of Small Things: gestures and interactions among people as they define and create their social world, constituting their freedom and dignity, and power. In contrast, Radhika is pushing us to think about things material, not human, given in nature and shaped by men and women.
And indeed I have been thinking about such matters recently, taking part in The Politics of Materiality Conference at The New School, listening to an intriguing lecture by Nicolas Langlitz, “Homo Academicus Among Other Cooperative Primates,” attempting to make sense of the research and writing of Bruno Latour, pushed by a number of my challenging students, aided by attending Iddo Tavory’s class . . .
Read more: An Everyday New York Masterpiece: The Inconspicuous, Understated, Wise, 9/11 Memorial of the Union Square Subway Station
By Jeffrey C. Goldfarb, April 26th, 2013
Aristide Zolberg was a leader in our shared long standing intellectual home, The New School for Social Research, as he was a path breaking, broad ranging political scientist. He also was, crucially, a good man. In this post, Kenneth Prewitt, Michael Cohen and Riva Kastoryano join me in remembering a great scholar and gentleman. -Jeff
Ary started his career as an Africanist, whose work on the Ivory Coast stands as a classic in the field. He became famous as a stellar essayist, whose sharp creative insights could illuminate in elegant strokes great puzzles of the human condition, including perhaps most significantly his “Moments of Madness,” a deeply learned piece reflecting on the telling question he posed: “If politics is the art of the possible, what are we to make of the moments when human beings in modern societies believe that ‘all is possible’?” And then there is his great achievement: A Nation by Design, his magnum opus. It is both a crucial account of an under examined part of the American story, while it is rich with comparative insights, as Riva Kastoryano describes in her reflections. It is a classic for reasons that Ken Prewitt underscores.
Ary was a disciplined scholar, as Michael Cohen highlights, who crossed disciplines freely, a tough – minded empiricist with great imagination. He was also a man who experienced a great deal, both the good and the bad life offered in his times. A Holocaust survivor, whose memoirs of his childhood await publication, he was married to the great sociologist of memory and art, Vera Zolberg. (For my appreciation of my intellectual relationship with Vera click here)
Ary and Vera, co-conspirators, together for sixty years, they were a beautiful team, and as a team they contributed to family (their children Erica and Danny and many more), friends, colleagues and students, and the world of arts and sciences broadly. “The Zolbergs” hosted innumerable New School events, as well as informal dinners, in their beautiful . . .
Read more: Aristide Zolberg, June 14, 1931 – April 12, 2013
By Jeffrey C. Goldfarb, April 22nd, 2013 
It’s been a tough week: the Boston Marathon Bombing on the public stage, and closer to home, the death of a friend, colleague and great scholar, Aristide Zolberg (I will be publishing tributes, including my own, later this week), and a memorial service for my wife’s uncle Ed Gruson.
“Uncle Eddie” was an extraordinary man, sophisticated and warm, a bit of a rascal, but also a man of high moral principle in his private and public affairs (dating back to his marching in Selma, Alabama as a young man). My special relationship with Ed: he was the ideal reader, with a deep commitment to understanding the world, a trained biologist and urban planner, author of the birding book Words for Birds, who read broadly and seriously, with a sense of responsibility. Anticipating the end about a year ago, he gave me his complete collection of the works of Isaiah Berlin. Making sense of the chaos, while thinking about meaningful lives, is a challenge. Ed knew that thinkers like Berlin and Hannah Arendt, thinkers in dark times, to paraphrase Arendt’s most beautiful book, are important guides.
And as it happens, I did have a related treat planned for myself at the end of the grim dark tunnel of a week: off to see a movie, the Arendt biopic. It is a good movie, though it’s far from perfect. It powerfully and accurately depicts passionate thought. That is a real accomplishment, pushing the film form: “filmed thinking.”
As I prepare this post, I read two very good positive reviews, one in the distinguished Der Spiegel, the other in the more bohemian, Bitch Media. They highlight the film’s accomplishments, recognizing the great direction of Margarethe von Trotta and the superb performance of Barbara Sukowa, and they applaud how the film tells the story of the great controversy surrounding Arendt’s writing, her account of the trial of Adolf Eichmann and her invention of . . .
Read more: Reviewing Hannah Arendt, the Movie; Thinking about the Boston Marathon Bombing, Ary Zolberg and Ed Gruson
By Jeffrey C. Goldfarb, April 3rd, 2013 
Andrea Hajek’s post on the seamy side of satire and the Italian elections and Iddo Tavory’s post on humor and the social condition got me thinking about the promise and perils of political humor. This has fascinated me ever since I made it a nightly habit to tune into Stephen Colbert and Jon Stewart as a refuge from the madness that were the George W. Bush years.
I have wondered: why has my regular dose of political satire seemed so essential to my mental health? Why has it been so appealing to so many of us? On the other hand, I didn’t want to spend too much time wondering. Most scholarly accounts of humor seem to miss the point, and they are decidedly not entertaining. I feel like responding to the authors of such serious reflections: please just relax and enjoy.
But Iddo’s analysis, which is part of our on-going dialogue on the social condition, seemed to hit just the right notes: it moved our deliberations on the social condition forward, as it helped me understand important developments in global political culture, and it had a light informative touch, focused on a joke. A Jewish father warns his son not to marry outside of the faith, finding confirmation in his warning when the son’s new wife takes the faith too seriously, insisting that her husband no longer work on Saturdays, both the Jewish Sabbath and the most important day of his father’s business week.
The joke is funny in the telling. Social structure as it is manifested in interaction makes the “funny telling” possible. Social structure – the family, religion and the economy – informs the structure of the joke, which sets the stage for the performance. As Tavory maintains: “If we attend to the structure of humor, we can see that jokes work precisely because they shine light on dilemmas that are built into the social fabric.”
Political satirists work with this, for better . . .
Read more: The Personal and Political Significance of Political Satire
By Iddo Tavory, March 15th, 2013 
In a series of posts, Jeff Goldfarb and I have been sketching an outline for the study of the social condition — the predictable dilemmas that haunt social life. We argue that one of the core intellectual missions of sociology is to account for the ways in which social patterns set up these dilemmas that actors experience as crucial for their lives and how they define themselves.
Social life, as anyone who is in the business of living knows, is riddled with ambiguities and contradictions. But these contradictions and dilemmas are not only the stuff tragedies and epics are made of. As importantly, they include materials from which comedy is crafted. If we attend to the structure of humor, we can see that jokes work precisely because they shine light on dilemmas that are built into the social fabric. Thus, one of the core insights of the study of the comic is that it depends on telling two stories at the same time (what Arthur Koestler called “bi-sociation”). Think about the following Jewish Joke:
A Jewish businessman warned his son against marrying a non-Jewish woman, a “shiksa.” The son replied, “But she’s converting to Judaism.” “It doesn’t matter,” the old man said. “A shiksa will cause problems.” After the wedding, the father called the son, who was in business with him, and asked him why he was not at work. “It’s Shabbos,” the son replied. The father was surprised: “But we always work on Saturday. It’s our busiest day.” “I won’t work anymore on Saturday,” the son insisted, “because my wife wants us to go to shul [synagogue] on Shabbos.” “See,” the father says. “I told you marrying a shiksa would cause problems.”
The structure of this joke, like that of most others, is the intertwining and surprising juxtaposition of two stories are told within it at the same time. One narrative is about a Jew “marrying out” and the anxieties and bigotries that “marrying out” entails for many Jewish families—ostensibly, of leaving one’s religion and ethnic group. The second, however, subverts this narrative: It is precisely by taking religion seriously that the . . .
Read more: Humor and the Social Condition
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