By Richard Alba, December 27th, 2012
I know from personal experience about the long-run suffering inflicted by gun deaths. I was not quite three years old when my father was killed, in November, 1945, by a fellow American soldier test firing a souvenir Lugar in the barracks. He had survived the war, but not the peace that followed. That shot has echoed down the decades in my family. I think I can still faintly hear it today, nearly 70 years later.
The cruelty of gun deaths comes partly from their absurd randomness. When I was a child, I imagined that my father was a war hero who had been killed in combat. (How else could he have died?) When I was an adolescent, I learned that the US Army reported that he was shot in a room where “men were working on guns.” Later still, due to my mother’s obsessive persistence, we learned the even more prosaic truth: he was seated, playing cards, when the unanticipated recoil of the Lugar directed a shot meant for the floorboards across the room and into his back.
Survivors of such capricious deaths cannot help being tormented by thoughts of alternative realities. In the case of my father: If only the shooter had aimed in a different direction or taken into account the powerful recoil. If only the shot had gone twelve inches to the left (or the right). If only my father had been demobilized earlier. If…if…if… Not far behind such thoughts lies the guilt felt by survivors. For my mother, there was guilt about my conception. If only I had been born earlier, my father might not have been drafted in the first place.
My mother was haunted all her life by this death. Never able to find relief, she eventually took her own life, stipulating that she was to be buried beside her first husband. Remarriage could not give the succor she needed: As a Catholic woman with a young child, she faced a limited field of choice in the immediate post-war years, since a shortage of marriageable men was the inevitable consequence of the . . .
Read more: Testimony of a Gun-Death Survivor
By Gary Alan Fine, December 24th, 2012
One of the truisms of the Internet Age is what has become known as Goodwin’s Law: As an online discussion grows longer, the probability of a comparison involving Nazis or Hitler approaches one. Let us turn to the Third Reich in Connecticut.
The reason that Americans permit the tragedy of Sandy Hook to occur year after doleful year has nothing to do with the fear of home invasion. It has nothing to do with cocaine-soaked gangs. It has nothing to do with the love of hiding in a duck blind. It has all to do with George III, Josef Stalin, and Adolf Hitler. This is the half-hidden secret behind the National Rifle Association’s passion and it needs to be judged in its own terms.
The justification for the Second Amendment and the justification for opposition to such real and apparently rational limits on semi-automatic weapons is to keep power in the hands of the people. The local community is a bulwark of democracy. Just as the rest of the libertarian-blessed Bill of Rights is concerned with constraining the heavy hand of state control, so is the Second Amendment. The fantasy is Red Dawn as Groundhog Day. A demand for personal liberty led Charlton Heston to be willing to fight until “they” pry the gun from his “cold, dead hands.”
In the aftermath of Sandy Hook, of Aurora, of Tucson, of Virginia Tech, of Columbine the issue is trust. Can we trust that our American regime (or invaders from Venezuela or Mars) can eschew the temptations of tyranny? Does power corrupt absolutely? Although the National Rifle Association is loath to admit it, gun control depends on political theory. The reason for heavy personal artillery is not to provoke one’s children against a break-in by Spike or José, but to kill Sergeant Spike or Colonel José. We need an arsenal not to hunt Bambi, but Senator Bambi. And if the National Rifle Association did not fear public revulsion, this is the argument that they would make.
In fact, the argument is not entirely crazed. Some seventy-five years . . .
Read more: Sandy Hook and Hitler
By Vince Carducci, December 21st, 2012
University of Illinois Chicago political scientist Kelly LeRoux (who got her PhD at Wayne State University here in the D) and co-author Anna Bernadska recently published a study, funded by the National Endowment for the Arts, that shows a positive correlation between participation in the arts and engagement with civil society. They analyzed more than 2700 respondents to the 2002 General Social Survey, conducted biannually by the National Opinion Research Center at the University of Chicago and generally considered one of the primary sources of data on American social trends. Their analysis found that people who have direct or indirect involvement with the arts are more likely to also have direct participation in three dimensions of civil society: engagement in civic activities, social tolerance, and other-regarding (i.e., altruistic) behavior. These results hold true even when factoring in demographic variables for age, race, and education.
Most studies on the social impact of the arts address economics and related externalities such as improved educational outcomes and general community well being. (See, for example, the work of Ann Markusen of the Project on Regional and Industrial Economics at the University of Minnesota summarized in my blog post here.) The study by LeRoux and Bernadska is different in that it empiricially investigates ties between the arts and citizenship. Instead of seeking a market rationale for arts patronage, the authors stress the benefits for civic virtue. The study is also noteworthy because rather than looking at the direct impact of community and other arts projects, such as mural painting, theatrical productions, and the like, it takes an audience-studies approach more typically associated with media and communications analysis.
It’s important to note that the authors demonstrate correlation not causation. In statistics, correlation establishes the dependence of certain variables on one another, which is useful in predictive modeling. But the relationship, either positive (the more of one variable, the more of the other) or negative (the more of one variable, the less of the other), doesn’t necessarily mean that the one is specifically the cause of the . . .
Read more: The Aesthetics of Civil Society
By Kenneth Mori McElwain, December 19th, 2012
At the best of times, elections provide social catharsis. Voters are given the opportunity to replace an under performing government with one that promises a brighter future. In reality, though, elections are messy, relative contests. Voters are choosing not their ideal government, but rather the best of available options. In the recent House of Representatives elections (Dec 16, 2012), the Japanese electorate clearly demonstrated its disenchantment with the reigning Democratic Party of Japan (DPJ), whose seat share collapsed from 48% to 12%. However, ex-DPJ supporters did not flock to the Liberal Democratic Party (LDP), the eventual winner. Instead, they divided their ballots among a host of new or minor parties, or chose not to vote at all. As a result, the LDP dominated the election with 61% of the seats despite winning fewer absolute votes than they did in the last contest. The lopsided outcome was the product of voter disappointment with all parties, and the LDP won by default as the best of bad alternatives.
Explaining the Outcome: Disenchanted Voters
Voter disenchantment produced the LDP’s victory in two ways: declining partisanship and a collapse in voter turnout. While Japanese voters have traditionally been less partisan than in the United States or Western Europe, the ranks of “independents” have been growing since the mid-1990s. According to monthly opinion polls by the Jiji Tsushin, a Japanese wire service, close to 70% of the population declared no partisan affiliation leading up to the 2012 contest. This ratio has been increasing steadily since the last election in September 2009, suggesting that disaffection with the ruling DPJ was not translating into support for an LDP government. With so many undecided voters, twelve political parties and over 1500 candidates competed in the election. One prominent new entry was the Japan Restoration Party (JRP), led by Toru Hashimoto, the charismatic mayor of Osaka, and Shintaro Ishihara, the nationalistic governor of Tokyo. The JRP had formed in September 2012 under the banner of stronger regional governments and constitutional reform. Independent voters who rejected the status quo choice between the . . .
Read more: Japan’s Disappointment Election
By Jeffrey C. Goldfarb, December 18th, 2012
While I take for granted that gun control is a proper response to the atrocity in Newtown, not all do. This is the second of a two part extended exchange (part 1, here ). My friend Thomas Cushman, who holds libertarian views, challenged me and proposed a different interpretation and a different course of action. I hope this will open a deeper deliberate discussion.
Tom: Jeff, I wonder if we as sociologists could bring some kind of understanding to this situation that does not sink down into the extreme positions on either side? Otherwise it’s just politics as usual. Consider, for instance, that Connecticut already has severe gun control measures. They did not stop the atrocity. Vermont is a state where any resident can buy as many guns, and as much ammunition as they want, carry concealed handguns, own assault rifles, and it has the lowest homicide rate in the country. I am not a fan of the gun culture by any stretch, but it seems shallow to imagine that some amorphous, state induced “gun control” is going to ever stop these kinds of things. As you know, the problem is cultural. We live in a degraded cultural environment full of simulated and prosthetic violence,. Our children, especially our boys, are immersed in violent culture produced by Hollywood. Why not start there?
Jeff: Agreed the problem at its base cultural. Gun culture, the culture of violence and its glorification. And yes, violence in popular culture is a problem. But why have so many guns? I would like to work on all fronts. I would start with a discussion about gun controls in the political arena. Certainly some weapons shouldn’t be in private hands. Certainly, also, we should have a discussion about depictions of violence in films and music. If you want to start there, . . .
Read more: After Newtown: A Discussion about Gun Controls and Popular Culture
By Jeffrey C. Goldfarb, December 17th, 2012
As with many others, I have been consumed by the tragedy in Newtown Connecticut. I wrote a post on Saturday, something I try not to do. Signed a couple of petitions (see here and here). Watched the memorial service last night. Was moved and inspired by Obama’s speech.
It is at moments like this that I am relieved and proud that Barack Obama is president. He gave a powerful speech. He got to the heart of the matter. I am confident a real response to this tragedy will happen.
Moving from alarm, to depression to hope, I discussed with friends on Facebook the events as they have been unfolding. I think the discussions were informative and re-produce slightly edited versions here. The discussion crossed intellectual gated communities, an interesting exchange on my left was initiated by my Israeli friend, Orly Lubin, joined by American based friends Peter Manning, and Esther Kreider-Verhalle. In the second, from the more libertarian side of things, there was a civil exchange with my friend Tom Cushman, which I will post tomorrow. I hope we can continue these discussions at Deliberately Considered.
The discussion on the left was between those, including me, who saw a major change in Obama’s approach to leadership and gun policy, and those who see a pattern of compromise and ineffectiveness in domestic and foreign policy.
Orly: You Americans are the masters of understatements – Hannan and me were furious – between Jesus and god bless America, couldn’t hear the word “gun” nor the word “control” – but what do I know, don’t speak american, I guess.
Jeff: Yes, I think you don’t. Though I also don’t like certain religious aspects of American.
After Newtown: A Dialogue on the Left
By Jeffrey C. Goldfarb, December 15th, 2012
This time it was in a Connecticut elementary school, not very far from my home. The local and national news together are overwhelmingly depressing. I feel despair and powerless: such brutality, and Americans have kept on arming themselves, with support for gun control diminishing.
Why? Perhaps it is because too many of us confuse fictions with facts? On this issue the NRA view of the world seems to dominate. Consider this blast from Deliberately Considered’s past, the story of a preteen sharpshooter defending her home in Butte Montana. Gun advocates make up there own facts to justify their position that guns yield personal and public safety.
A fact free world provides the grounds upon which outrageous judgments are made. Charles Blow cited one today:
“Larry Pratt, the executive director of Gun Owners of America, wasted no time trying to pin Friday’s shooting on gun control advocates. ThinkProgress quoted a statement of his that read, in part: ‘Gun control supporters have the blood of little children on their hands. Federal and state laws combined to ensure that no teacher, no administrator, no adult had a gun at the Newtown school where the children were murdered. This tragedy underscores the urgency of getting rid of gun bans in school zones.’ ”
How is it possible for someone to imagine let alone utter such words? Following their logic, and the sort of pseudo-evidence it is based on, “the fictoid from out west,” perhaps the answer to school violence is arming kindergarten kids. David Frum, indeed, in a tweet sarcastically declared: “Shooting at CT elementary school. Obviously, we need to lower the age limit for concealed carry so toddlers can defend themselves.”
And then there is the magical power of prayer. Mike Huckabee: “We ask why there’s violence in our schools but we’ve systematically removed God from our schools. Should we be so surprised that schools would . . .
Read more: Another Day, Another Gun Massacre
By Vince Carducci, December 14th, 2012
A couple of days after the November 6 election, my New School pal Sam Binkley posted this comment on his Facebook page:
“As I see it, the occupy movement deserves a lot of credit. Nobody was talking about economic inequality before fall ’11, but after all the media coverage of the various occupy groups, that theme became a fixture of the liberal and democratic narrative right up to the election, and remained a staple of Obama and other campaigns. Did I hallucinate that or did it happen?”
He didn’t elaborate on this sentiment, which he could have easily done from his perspective as a cultural sociologist, and perhaps he did in another context and I just didn’t know about it. But I believe he’s right. So I’d like to take a detour from my normal blogging beat to explain.
New Social Movement theory as laid out by Jean Cohen and Andrew Arato in their authoritative text Civil Society and Political Theory (MIT: 1994) can be seen to have four distinct phases of political action, which I call the four “I’s.” (Cohen and Arato use slightly different language but I feel that the alliteration has value as a mnemonic device.)
The first is identity, coming out as it were to declare one’s right to openly exist in the public sphere. The individuals who physically showed up in the place originally known as Liberty Plaza Park in Lower Manhattan on September 17, 2011, in the opening episode of the Occupy movement, to protest growing social and economic inequality in the United States, embraced such a political identity. That public intellectuals such as Naomi Klein and Slavoj Zizek and celebrities such as Susan Sarandon, Mark Ruffalo, and Deepak Chopra, among others, put in appearances with the Occupy crowd further raised the profile.
The identity position of Occupy soon spread to other parts of the country and then around the world, leading to the second phase, namely, inclusion. In this phase, identity (in social theory lingo, subjectivity) establishes a collective aspect. More and more individuals . . .
Read more: Occupy the White House
By Jeffrey C. Goldfarb, December 13th, 2012
I am embarking upon a new project, the investigation of the social condition, highlighting dilemmas that are inevitably built into the social fabric, and exploring the ways people work to address them. Some examples:
It is obviously important for a democratic society to provide equal opportunity for all young people. The less privileged should have the advantages of a good education. This is certainly a most fundamental requirement for equal opportunity. On the other hand, it is just as certain that a good society, democratic and otherwise, should encourage and enable parents to provide the best, to present the world as they know and appreciate it, to their children: to read to them, to introduce them to the fine arts and sciences, and to take them on interesting trips, both near and far. But not all parents can do this as effectively, some have the means, some don’t. Democratic education and caring for one’s children are in tension. The social bonds of citizenship and the social bonds of family are necessarily in tension. This tension, in many variations, defines a significant dimension of the social condition.
Another dimension of the social condition was illuminated in a classic lecture, “Politics as a Vocation,” by Max Weber: the tension between what he called the “ethics of responsibility” versus the “ethics of ultimate ends.” We observed an iteration of this tension in the debate about Lincoln, the movie. In politics there is always a tension between getting things done, as Weber would put it, responsibly, and being true to ones principles. Ideally the tension is balanced, as it was portrayed in the film: Lincoln the realist enabled Thaddeus Stephens, the idealist, to realize his ends in less than idealistic ways. A wise politician, Weber maintained, has to know how to balance, ideal with realism. But this tension goes beyond individual judgment and political effectiveness. Establishing the social support to realize ideals is necessary, but sometimes the creation of such supports make it next to impossible for the ideals to be realized. Making sure that educational ideals are realized, for example, . . .
Read more: The Social Condition
By Andrea Hajek, December 11th, 2012
Forty three years ago, on 12 December, 1969, a bomb exploded in a crowded bank in Piazza Fontana, Milan, killing seventeen and wounding eighty eight. This bomb was the first in a series of terrorist massacres performed as part of the so-called “strategy of tension,” a political climate of terror orchestrated by a variety of right-wing organizations which aimed at promoting “a turn to an authoritarian type of government.” (see Anna Cento Bull’s study on Italian Neofascism) Other major bomb massacres followed: in 1974, during an anti-fascist demonstration in the Northern city of Brescia and on a train traveling from Florence to Bologna. Bologna was also the stage of another dramatic massacre, when a bomb exploded in the waiting room of the central railway station, on 2 August 1980: eighty-five people died (including a three-year old girl), two hundred were wounded.
Needless to say, the 1970s have a bad reputation, in Italy. Notwithstanding the fact that two neo-fascist terrorists were sentenced for the Bologna massacre, there are still too many unresolved issues and (state) secrets for Italians to make amends with this difficult past. In fact, the so-called “years of lead” are known mostly for the large number of terrorist attacks carried out by both left-wing and right-wing terrorists, as well as other forms of “subversive” violence. These have given shape to a “collective trauma” which the country has failed to come to terms with, in spite of official monuments and annual commemorative rituals that really only contribute to the silencing of memories.
The lack of a commonly shared, official memory of these events might explain why there are so many cultural products that take on the issue of 1970s political violence. A number of movies produced since 2000, for example, have tried to narrate the story of the 1970s, in different ways and with different purposes.
Recently, acclaimed filmmaker Marco Tullio Giordana has attempted to visualize the traumatic memory of the Piazza Fontana . . .
Read more: The Phantom of Subversive Violence in Italy
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