I recently read a fascinating and disturbing article in The New Yorker, by Jon Lee Anderson, on the rise and defeat of Islamists in Mali. I was struck by two particular descriptions of the Islamists’ behavior:
“In the central square, Idrissa had witnessed the beating of one of the jihadis’ own men, who had been accused by his comrades of raping a young girl. The spectators loudly criticized the jihadis for a double standard. “Everyone was angry because they didn’t kill him,” Idrissa said. Afterward, the jihadis had gone on the local radio station and warned that anyone who spoke badly about their men would be killed.”
The other:
“Then, on day two, the Islamists came,” he recalled. He had asked the leader what he wanted. Naming the northern towns of Mali, he had said, “Timbuktu, Gao, and Kidal are Muslim towns, and we want to make Sharia in them. We are not asking. We are saying what we are doing, and we’re here to make Sharia.”
What I found so troubling was not only “the usual” Al Qaeda-related atrocities, but even more so the Islamist’s clearly voiced goal of destroying an existing social system through violence, devastation of cultural heritage (vandalizing local temples and libraries). This was tied together with the idea of creating a different social order based on sexual control, and the replacement of any traces of modern knowledge by radical interpretations of old religious texts. The irony is that these readings are just as contemporary as the lifestyle the Islamists try to erase.
In my opinion, these two quotes illustrate the power of violence combined with unquestionable certainty, able to undermine an entire civilization—its customs, morals, social order, and authorities. They fall apart in the presence of arrogant brutality. The people are too “civilized,” too cultured to defend themselves. The Islamists reject a civilization they claim is morally corrupt, and instead attempt to replace it with a modern essentialist take on an imagined Golden Age of religious purity.
The case of Islamists in Mali is an extremely . . .
Read more: Reflections on Al Qaeda in Mali, and Other Radicals at the Gates
By Jeffrey C. Goldfarb, April 24th, 2013 Contrary to the suggestion of my informal title, I did not study with Hannah Arendt, nor were we ever colleagues, although I missed both experiences only by a bit. I was a graduate student in the early 1970s in one of the universities where she last taught, the University of Chicago, and my first and only long term position, at the New School for Social Research, was her primary American academic home. But when I was a Ph.D. candidate, she was feuding with her department Chair in the Committee on Social Thought, Saul Bellow, (or at least so it was said through the student grapevine), and she was, thus, not around. And I arrived at the New School, one year after she died. Nonetheless, she was with me as an acquaintance at the U. of C., and soon after I arrived at the New School, we in a sense became intimates.
A personal story
At the University of Chicago, I wrote my dissertation on a marginal theater movement on the other side of the iron curtain. I was studying alternative theaters in a polity, The Polish People’s Republic, which officially understood itself to be revolutionary, and that was analyzed by some critics, both internal and external, as being totalitarian. Thus, I read both On Revolution and The Origins of Totalitarianism. From the point of view of Arendt scholarship, the effects of these readings were minimal. From On Revolution, I came to understand her point about the difference between the French and the American revolutionary traditions, giving me insights into the Soviet tradition, but this barely effected my thinking back then. From The Origins, along with other works, I came to an understanding of the totalitarian model of Soviet society, a model that I rejected. My dissertation was formed as an empirical refutation of the model.
But then I went to the New School, and in the spring of 1981, I came to appreciate Arendt in a much more serious way. A student kept on asking odd questions in my course on political sociology. I would use key concepts, and he repeatedly challenged my usage. “Society,” “ideology,” “power,” “politics,” “authority,” “freedom:” I would use the terms in more or less conventional . . .
Read more: Hannah and Me: Understanding Politics in Dark Times
By Jeffrey C. Goldfarb, April 15th, 2013
I recently returned from a very enjoyable and very fruitful week in Paris, combining business with pleasure. I spent time with family, and also enjoyed a series of meetings with my dear friend and colleague, Daniel Dayan. We continued our long-term discussions and debates, moving forward to a more concerted effort, imagining more focused work together. His semiotical approach to power will inform my sociological approach and visa versa, with Roland Barthes, Victor Turner, Hannah Arendt and Erving Goffman as our guides. At least that is one way I am thinking about it now. Or as Daniel put it a while back in an earlier discussion: my politics of small things will combine with his analysis of the politics of even smaller things.
We had three meetings in Paris, a public discussion with his media class at Science Po, an extended working breakfast and lunch at two different Parisian cafés, and a beautiful dinner at his place, good food and talk throughout. I fear I haven’t properly thanked him for his wonderful hospitality.
At Sciences Po, Dayan presented a lecture to his class and I responded. This followed a format of public discussion we first developed in our co-taught course at The New School in 2010. He spoke about his theory of media “monstration,” how the media show, focusing attention of a socially constituted public. He highlighted the social theory behind his, pointing to Axel Honneth on recognition and Nancy Fraser’s critique of Honneth, Michel Foucault on the changing styles of visibility: from spectacle to surveillance, Luc Boltanski on the mediation of distant suffering and especially J. L. Austin on speech acts.
At the center of Dayan’s interest is his metaphor of “the media as the top of the iceberg.” He imagines a society’s life, people showing each other things, as involving a great complexity of human actions and interactions, mostly submerged below the surface of broad public perception, not visible for public view. The media’s . . .
Read more: Spring Break with Daniel Dayan: the politics of small things meets the politics of even smaller things
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