DC Week in Review: Art, My Town, and Japan

Jeff

“I believe that intellectuals have played crucial roles in the making of democracy and in the ongoing practices of democratic life.” With this sentence, I opened my book Civility and Subversion. Motivating the writing of that book was a developing misinformed (to my mind) consensus that intellectuals played an important role in the democratic opposition to the Communist order, but they would be relatively unimportant for the post Communist making and running of democracy. I thought that this was a terrible mistake, and I tried to show that in the book. In short, my argument was that intellectuals play a democratic role, not when they purport to provide the answers to a society’s problems, but when they facilitate deliberate discussion. Intellectuals are talk provokers. Discussions at Deliberately Considered over the past week demonstrate my point. We have considered and opened discussion about important problems.

On Monday, Vince Carducci introduced and analyzed the photography of John Ganis, art that confronts the damage we do to our environment, showing beauty that displays destruction. Carducci observes that “Ganis describes himself as a ‘witness’ rather than an activist. And yet his subject matter and its treatment clearly indicate where the artist’s loyalties lie.” But it is the ambiguity of the work, its internal tension that provokes and doesn’t answer political questions that facilitated a discussion between Felipe Pait and Carducci, comparing the destruction of the BP oil spill with the devastation in Japan. This could inform serious discussion about my reflections on man versus nature. We are present. We have our needs. How does it look when we satisfy them? What are the consequences? I think that this reveals that the power of the witness can sometimes be more significant than that of the activist. Carducci and I have an ongoing discussion about the value of agit prop. He likes it. I abhor it. I think Ganis’ work, with Carducci’s analysis of it, as the devastation in Japan was unfolding, supports my position.

DC Week in Review: Art, My Town, and Japan

Ducks, Docks, and Disasters: Joking about Japan

White ducks © Ciaro | Dreamstime.com

This post follows Fine’s reflections on Adam Smith’s The Theory of Moral Sentiments. –Jeff

As we begin to find ourselves numbed by the tsunami of news, videos, and twittering from Sendai, we are moving from the tragedy (which is, of course, really, really sad) to find other topics that speak to our assorted emotional needs. We are not quite done with Japan, but our tears have dried. Soap operas can’t run over an hour. (The naïve Libyan rebels didn’t realize that their reality show was in reruns. But we have scheduled prime time grief for them next week).

Like clockwork, the topic du jour is joking after disaster. Af-lac! As folklorist Bill Ellis noted in his dissection of the jocular aftermath of 9/11, “Making a Big Apple Crumble: The Role of Humor in Constructing a Global Response to Disaster,” it routinely takes about three days for the first jokes to appear. Right on schedule, Mr. Gottfried, Mr. 50 Cent, and Mr. Haley Barbour’s press secretary.

Mr. Gottfried perhaps has it the worst of all as his gig as the voice of Aflac’s duck has been washed away. The duck will be “revoiced.” Hearing such offensive poultry would be too much. Who knew that Japan was the company’s largest market? (Fill in your own joke about the meaning of Aflac in Sendai.) Rather than quacking, Mr. Gottfried tweeted. His jokes struck me as rather mild (I have a strong stomach). For instance, “My Japanese doctor advised me that to stay healthy, I need 50 million gallons of water a day.” Drum roll, please.

Mr. Gottfried might be forgiven for thinking that he could ride out the storm since he had previously gained notoriety for his 9/11 joke at a comedian’s roast for Hugh Hefner in late September 2001. He joshed that he couldn’t find a direct flight because the plane had to connect with the Empire State Building first. After his roast appearance, he became something of a folk hero among comedians. One wonders what people thought they would get when they signed up for . . .

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