In response to threats made by right-wing “patriot” hooligans to interrupt the grand ceremony, Zygmunt Bauman has recently rejected the honoris causa degree he was to be awarded by the University of Lower Silesia in Wroclaw. He said he did not want to cause any more trouble after his lecture had been interrupted in June by a crowd of young aggressive men, shouting out nationalist and xenophobic slogans. They are becoming a disturbingly familiar sight in large Polish cities. In their eyes, Bauman is not a famous scholar, but a Jewish Communist collaborator, a disgrace to the Polish nation. He is probably the biggest Polish name in the social sciences since Florian Znaniecki, and far more popular than are the hooligans. His books can be found in most trendy bookstores around the world. The university decided to grant him the degree against the “patriotic storm,” but given the swirling controversy, to cancel the customary lecture. The decision was cheered by some commentators, while others accused the institution of exploiting the scholar’s name for its own benefit.

Indeed, Bauman’s past as an officer of the Polish Communist army in the Stalinist period, a time remembered for painful repressions and murders of anti-Communist war heroes, raises questions. In fact, one of the major Polish universities initially wanted to grant Bauman an honorary degree in the mid-2000s, only to ax it when a number of scholars voiced their disapproval. The simple explanation is envy, but Bauman’s past is deeply troubling. His interview, conducted still in 2010, but published in the main Polish daily, Gazeta Wyborcza a week after the interrupted lecture, explained his involvement in Communist structures as a young man’s infatuation with ideology, but given his close ties to the apparatus of violence, the answers felt to many to be too easy.

The question is, how do you judge outstanding scholars (or artists, or politicians, etc.) who have complicated pasts? According to popular Polish imagination, the nation’s famous figures should be flawless. They are to be “monuments more durable than bronze,” as Horace once described poets. . . .

Read more: (Dis)Honoring Zygmunt Bauman in Poland