By Michael Corey, June 7th, 2011 
This is the second post by Michael Corey in a two-part series on the use of the phrase “skin in the game.” The first part was published on June 2. – Jeff
Many in the military fear that “putting their skin in the game” will be forgotten, and some have taken steps to keep memories of their fallen comrades alive. These may be found in an old form of art, the tattoo, specifically the memorial tattoo.
Mary Beth Heffernan, a photographer and associate professor of sculpture and photography at Occidental College, documented U. S. Marine memorial tattoos on film and incorporated them into a gallery exhibit, “The Soldier’s Skin: An Endless Edition.” The exhibit was shown at the Pasadena City College Art Gallery between October 10 and November 17, 2007, which was organized in conjunction with the citywide Pasadena Festival of Art and Ideas. Marines may be a specialized form of soldier, but most Marines prefer to be thought of as Marines rather than soldiers, as referenced in the exhibit’s title. The endless edition refers to Heffernan displaying her photolithographs arranged in stacks on a floor. To me, it brings tombstones to mind. Heffernan encourages viewers to take home copies from the stack, free of charge and reflect on them.
This image of a tattoo on the back of U. S. Marine, Joshua Hall. was photographed by Heffernan on February 3, 2006. It was reproduced as a 24” x 27” poster in unlimited quantity for the show in 2007. Memorialized on dog tags, along with his grandfather and uncle who died in war, are other fallen Marine brothers in arms.
Other Heffernan images may be found on the following links: http://www.latimes.com/entertainment/news/la-et-1027-heffernan-pg,0,5619148.photogallery?coll=la-tot-entertainment; and http://www.artscenecal.com/ArticlesFile/Archive/Articles2007/Articles1007/MBHeffernanA.html.
The cover of Heffernan’s exhibit catalog features a young girl holding a 19” x 27” poster showing the tattoo on the front of Owen McNamara’s body, taken on February 6, 2006. During his second tour in Iraq, McNamara was twenty years old. While attending a promotion ceremony, ten of his fellow Marines were killed at a booby-trapped patrol base. The tattoo which covers most of his . . .
Read more: Skin in the Game II, Never Forget
By Michael Corey, May 30th, 2011 
On May 6th, the Vietnam Veterans Memorial Fund (VVMF) announced the names of five American servicemen that were being inscribed on the black granite walls of the Vietnam Veterans Memorial (The Wall), and will be read for the first time on this Memorial Day, at 1 p.m. In addition, the designations of eight names are being changed from missing in action, signified by a cross, to confirmed dead, symbolized by a diamond. The criteria and decisions for being included on The Wall are set by the Department of Defense. With the additions, the total number of names inscribed (killed or remaining missing in action) is 58,272.
The Vietnam Veterans Memorial Fund was established in 1979 by a group of veterans led by Jan Scruggs, and, over the years, has been “dedicated to preserving the legacy of the Vietnam Veterans Memorial in Washington, D. C., promoting healing and educating about the impact of the Vietnam War.” In July 1980, President Jimmy Carter authorized the Fund to build the Vietnam Veterans Memorial on a site near the Lincoln Memorial in Constitution Gardens. The Fund explains that the resulting monument “was built to honor all who served with the U. S. armed forces during the Vietnam War. It has become known as an international symbol of healing and is the most-visited memorial on the National Mall.”
The Memorial consists of more than the well known Wall that was designed by Maya Ying Lin. The other sites for remembrance are the Flagpole that was installed in 1983 around which the emblems of the Army, Navy, Air Force, Marines and Coast Guard are displayed; the Three Servicemen Statue, designed by Frederick Hart and dedicated in 1984; the Vietnam Women’s Memorial designed by Glenna Goodacre and dedicated in 1993; and the Vietnam Veterans Memorial Commemorative Plaque, also called the “In Memory Plaque, ” dedicated in 2004 to honor veterans who died after the war as a direct result of injuries which were incurred in Vietnam, but do not qualify for inclusion on The Wall. An education center is being planned.
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Read more: Memorial Day Reflections
By Robin Wagner-Pacifici, January 20th, 2011
In these past few days, I have read and heard many responses to President Obama’s speech at the memorial service at the University of Arizona, including that of Jeff Goldfarb here at Deliberately Considered. While I agree with many of the encomiums to that speech – praise for its sincerity, civility, appeal to democracy, appreciation for individual lives – I am in a distinct minority in feeling that it was not altogether successful as a moment of high and consequential political rhetoric.
It was not the Gettysburg Address. Of course, it may seem unkind to compare Obama’s speech to that one of the ages by Lincoln, but I believe the tasks of that speech were similar to those of Lincoln and that it fell short of the mark. Public ceremonies of this type have unique challenges – memorialize the victims of violence, appeal to the better angels of the nation, re-establish the authority of the state, indicate a way forward.
The main issues involve choices of genre and structure. For me, Obama’s speech oscillated without adequate accounting or warning between the genres of private lamentation, religious homily, and political oration. Without an overarching structure that linked these genres together, their coming and going unsettled me as a listener. Was so much reference to scripture appropriate in a civil ceremony? Was so much detail about individual personalities befitting a national oration by a head of state?
The speech caused me to reflect on prior moments of national traumas that challenged leaders to make sense through collective reckoning. Traumas like wars and assassinations that resonate upwards, from individuals through families and communities, to the larger social and political collectivity call forth formal responses by heads of state. And these responses transform the traumas into history. Hegel linked history itself to the state: “It is the State [he wrote] which first presents a subject-matter that is not only adapted to the prose of History, but involves the production of such History in the very progress of its own being.” The state thus views itself as the central character of history, with an agency and a . . .
Read more: The Tuscon Speech: Not the Gettysburg Address
By Jeffrey C. Goldfarb, January 14th, 2011
Barack Obama is the foremost orator in my life time. During the Presidential campaign, I thought that this may be the case. The first two years of his Presidency raised some doubts. I knew the talent was there, but would the talent be used effectively to enable him to be the great President that I thought he could and hoped he would be? But after his speech at the Memorial Service for the Victims of the Shooting in Tucson, Arizona, I have no doubt. No other public figure could have accomplished what I think President Obama accomplished last night.
He spoke as the head of state, not as a partisan candidate or leader, and a deeply divided country became, at least momentarily, united in response to his beautifully crafted and delivered address. He enabled us to grieve together, helped us try to make sense together, and challenged us to respectfully act together, despite our differences.
The power of the speech was revealed by the reaction to it. Even Glenn Beck recognized Obama’s accomplishment, and publicly thanked the President for giving the best speech of his career. And the instant analysis of the panel at Fox News praised the excellence and effectiveness of the President’s inspirational address. Charles Krauthammer concluded the discussion, recognizing that the President appeared and spoke as the head of state, not as an ideological politician, and maintained that it may have a significant effect on Obama’s fortunes. “I am not sure it’s going to have a trivial effect on the way he is perceived.” This from one of Obama’s major critics.
Of course Obama’s supporters, including most of the people attending the service in Tucson at the vast McKale Memorial Center at the University of Arizona, were deeply moved. My friends and I at the Theodore Young Community Center were especially pleased that our guy did so well.
And the commentators of the major newspapers and blogs were almost universally in agreement of the speeches inventiveness and excellence. Dionne, Robinson, Thiessen , Gerson at the Washington Post , Collins and the Times editorial voice at The . . .
Read more: The President’s Speech
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