This in-depth post is the first in a series on the question: Why Poland? To skip this introduction, click here.
A few years ago, I was invited to give a series of lectures in Lublin, Poland. I was promised that the lectures would be translated and published as a book. It was a promise, never fulfilled. But preparing and giving the lectures was a very interesting exercise, nonetheless. It gave me an opportunity to start reflecting on how my research and public activities in Poland before the fall of communism could inform public life there “after the fall.”
I prepared and presented three extended lectures. The first was on media and the politics of small things, a topic that I have focused on in recent years. The other two lectures were on topics I haven’t explored further, but I think may be of interest to readers of Deliberately Considered. I will reproduce the lectures in the coming weeks. Today’s in-depth post: the first of three posts addressing a simple question I have often been asked, “Why Poland?” Later, my second lecture, another frequently asked question: “Why Theater?”
Why Poland? It was a question first posed to me by my mother. She wanted to understand why it was that I had chosen to do research in the country from where her parents fled. It was a question motivated by the troubled relationship between Poles and Jews. It is a topic that I have not spent much time addressing professionally, though I have had to deal with it personally. The lecture I gave in Poland was one of the rare times that I publicly addressed the topic, making the personal professional.
The lecture made three distinct moves, responding to the issue of the relationship between Jews and Poles from three different vantage points: the first, today’s post, was the most personal, built upon reflections on my personal experiences as a researcher in Poland in 1973-4. The second . . .
Read more: Why Poland?: Poles and Jews Before the Fall of Communism