To skip this introduction and go directly to read Jeff Weintraub’s In-Depth Analysis “Some Partial, Preliminary & Unfashionable Thoughts Toward Reassessing the 2003 Iraq War – Did Anything Go Right and What Were The Alternatives?” click here.
I was sure in the lead up to the Iraq War that it wouldn’t happen. It seemed obvious to me that it made no sense, and I couldn’t believe that the U.S. would embark on such foolishness. One of my big mistakes, obviously. While Saddam Hussein had nothing to do with Osama bin Laden and American capacity to wage two wars, one clearly by choice, seemed to be a huge strategic mistake, the war proceeded and escalated, and we have paid.
Nonetheless, I did understand why deposing Saddam was desirable. His regime was reprehensible. I respected those who called for opposition to its totalitarianism, from the informed Kanan Makiya to my Central European friends, Adam Michnik, Vaclav Havel, et al. I even said so at an anti-war rally.
Yet, connecting the means at our disposal with the desirable end of a free and democratic Iraq seemed to me to be an extraordinarily difficult project, and I had absolutely no confidence that Bush, Cheney, Rumsfeld and Company could pull it off. How could my intelligent friends who supported the war not see that? I actually had a number of heated public discussions with Michnik about that.
Once begun, I hoped that the intervention would be short and sweet, and hoped that a democratic transition could be managed, but as we now know these hopes were frustrated. From every point of view, the war was a disaster: for the Iraq, the region, the U.S., and the project of democracy, and the way the war was fought, as it was part of a purported global war against terror, . . .
Read more: Some Partial, Preliminary & Unfashionable Thoughts Toward Reassessing the 2003 Iraq War: Introduction
By Jeff Weintraub, May 9th, 2013 Lately, like a lot of other people, I’ve been mulling over the tenth anniversary of the beginning of the 2003 Iraq war and the flood of retrospective commentary it has generated. Nowadays, almost all discussions of the war are dominated by a hegemonic, almost monolithic, “anti-war” consensus that the war was both a terrible disaster and an obvious mistake. (Not just a mistake, but an obvious and unambiguous mistake, which no intelligent and morally serious person could honestly have supported at the time unless they were bamboozled by the propaganda campaign of the Bush/Cheney/Rumsfeld administration and its lackeys and/or blinded by post-9/11 hysteria.)
There are clearly some good grounds for holding those views (as well as a lot of bad, dishonest, intellectually lazy, and morally evasive ones); and for anyone who supported the war, like me, the past decade has often been a morally harrowing time (or should have been, at least). But I remain convinced that the question was more complicated than that in 2002-2003 and is still more complicated today.
Nor, I would like to believe, do I say that merely to cover my own ass (morally and analytically speaking) with a mealy-mouthed unwillingness to face up honestly to the moral and intellectual issues involved. Back in 2002-2003 I thought (and said quite explicitly) that there were good and bad arguments on both sides of the question (with more bad ones than good ones on both sides), and I think that’s still true now … though any serious discussion would also have to take account of what has actually happened in the past decade. (I could no longer simply repeat all the arguments I made back in 2002-2003 without serious revisions or modifications, but making a full-scale public recantation, as some other one-time supporters of the war have done, wouldn’t be honest in my case either.)
I have been struck, in particular, that the vast bulk of recent discussions expressing the “anti-war” groupthink, which is rarely challenged, are marked by two massive omissions.
=> First, while they properly emphasize the terrible results of the war and its aftermath for Iraqis, for Americans, and for others, they almost never consider the actual and probable costs—human, economic, . . .
Read more: Some Partial, Preliminary, & Unfashionable Thoughts toward Re-assessing the 2003 Iraq War – Did Anything Go Right, and What Were the Alternatives?
By Jeffrey C. Goldfarb, March 16th, 2012 
The new Obama campaign video, “The Road We’ve Traveled,” is a compelling piece of political expression. It’s not art. It’s not news. It’s a form of effective political speech. The Obama campaign calls the video a documentary, and that it is: a documentary advocating a partisan position that is meant to rally supporters, and convince opponents and the undecided.
Partisan Republicans have criticized the video for being propaganda: a serious charge coming from people who often label President Obama, a moderate left of center Democrat, as a socialist, and speak ominously about the end of America as we have known it if the President were to be reelected. Mitt Romney, more lightly, perhaps in fact revealing that he is a moderate, dismissed the video as an infomercial. I understand the Republican objections. They see a political move and are trying to counter it by suggesting it should be dismissed and not watched.
Less understandable is the performance yesterday of CNN talk show host, Piers Morgan, who aggressively criticized Davis Guggenheim, the director of the film, for not balancing its advocacy with any criticisms of the President. This baffles me. Just because the video is the creation of an award winning filmmaker doesn’t mean that his political expression in this work should be measured by the same standards as his art. Guggenheim, as he tried to explain last night in his interview with Morgan, is politically committed and the work on the video is his way of being politically active.
When I go to the movies, read a novel or see an art exhibit, I think it is important to distinguished between art and politics. Works that have noble messages do not necessarily make fine art. As Malgorzata Bakalarz examined in her last post, there is a difference between good and politically important art. On the other hand, and this is central here, it is just as important to not . . .
Read more: “The Road We’ve Traveled”: A Serious Political Argument
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