“Haiti doesn’t have a voice. It doesn’t have an identity. We, Haitians, need to take back the role of storytellers and tell our own history.” This was one of the reasons for filmmaker Raoul Peck to follow the reconstruction efforts in his home country after the earthquake in January 2010. Peck emphasizes that he was not planning on filming crying women and dead bodies in the streets. His goal was to challenge the country’s role of victim and turn the cameras on those who normally do the storytelling and the observing.
The result is the documentary “Fatal Assistance” (Assistance Mortelle), a painful 100-minute exposé on how international development and humanitarian aid have gone bad. It is a story about well-intentioned donors and aid organizations that have lost themselves in rituals of red tape, having become the inefficient players of a rudderless multinational aid-industry. Last week the documentary had its American premiere during the Human Rights Watch Film Festival in cooperation with the Margaret Mead Festival and the Tribeca Film Festival. Peck himself was available for questions after the screening and I had access to an earlier interview that Peck had given to a crew from Haiti Reporters before the film’s first screening in Haiti.
Peck has documented the efforts of the Interim Haiti Recovery Commission (IHRC) that was created shortly after the earthquake. With the Haitian prime minister Jean Max Bellerive and Bill Clinton as its co-presidents, the IHRC was tasked to oversee the spending of billions of dollars of international assistance in a way that was in alignment with the concerns of Haitians and the Haitian government. It was not new to see that after more than two years of “reconstruction,” too many Haitians are still living in extremely poor living conditions. Or, to quote a man who has lost his house in the earthquake, “in houses that the donors wouldn’t even let their dog live in.” It was . . .
Read more: “Fatal Assistance” in Haiti: Reflections on a Film by Raoul Peck
 This past weekend, the second group of students graduated from the 4-month intensive course at the Film and Journalism School Haiti Reporters in Port-au-Prince. The school opened its doors in October last year. It is the brainchild of the Dutch documentary filmmaker and journalist Ton Vriens and is sponsored by the Dutch human rights group ICCO, the Dutch ministry of Foreign Affairs, the Turtle Tree Foundation, and American companies such as Tekserve and Canon USA.
The school offers hands-on media training that gives students the skills to handle professional video- and photo cameras, and editing software. In addition, the curriculum offers courses in entrepreneurship, web design, writing, and media ethics. One of the goals is to prepare students to become community journalists, enabling them to tell the stories of the small communities around them. Ideally, the graduates would not only witness the development and reconstruction – or lack thereof – of their country, but also investigate and critically reflect upon it. Not only as community journalists, but also as civic journalists they could start making products that can function as forums for discussion and that can build up both their own as well as others’ social capital in the process.
In the daily practice of Haiti, this is all easier said than done. While it would be a challenge to give a similar 4-month crash course to any group of young people, trying to do it in Haiti exposes one to the country’s idiosyncratic trials.
Haitian media – they mainly exist in the form of radio and newspapers – have a long history of being mere tools to earn and secure political power. Only in the 1970s, still under Duvalier’s dictatorship, did one radio station start to air local and international news in Creole, the language of the majority of Haitians, instead of French, the language of the elite. It took until 1986, the year of Duvalier’s fall, before journalists enjoyed a meaningful freedom of the press and played a supporting role in the newly developing civil society. The military coup of 1991 . . .
Read more: Haiti Reporters
Esther Kreider-Verhalle, a contributing editor at DC, recently went to Haiti to teach a course on media ethics as part of the curriculum at the film and journalism school, Haiti Reporters, in Port-au-Prince. Here she presents her first report. -Jeff
As Philippe Girard has lamented in his history of Haiti writing about the country can be depressing. “One must consult the thesaurus regularly to find synonyms for cruelty, poverty, and thug, while looking in vain for an opportunity to mention hope and success unaccompanied by lack of.”
It is a mess here in Haiti’s capital Port-au-Prince. Walking the streets of Port-au-Prince, one cannot ignore the squalor. The local market in the neighborhood where I am staying consists of mostly older women – marchandes – selling their produce and merchandise next to little piles of filth and omnipresent burning heaps of trash. Hens are running around, dogs are lying around. Pick up trucks honk their horns when passing through the small, unpaved streets, causing the sand and dust to sweep through the air. Sometimes, the women can only barely move their baskets with produce in time to avoid being hit by aggressively fast moving cars. Somewhere in a building that only has a few remaining standing walls, a religious service of some kind is going on. There is music, singing, clapping. Next to collapsed houses, one can spot impressive houses behind high fences that are rebuilt or seem untouched by natural disaster. The differences between rich and poor are stark. But everywhere, the air is hot, grimy, and dry.
Haiti’s recent history is a somber tale of man-made disasters and natural catastrophes: political ineptitude, economic collapse, racial strife, hurricanes, tropical storms, and earthquakes. After the foreign interference of the past, in the form of colonialism and slavery, the modern day and well intended international aid-industry comes with its own list of drawbacks, encouraging a never ending dependency on foreign aid. Ills such as the plague of corruption and the enormous disparities between the large group of the poor and the small group of the rich, have been preventing Haitian society from . . .
Read more: Haiti: Resilience against Hopelessness
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