Social movements create publics. They make it possible for people to express and act on their common concerns together. This creativity of movements has not fully appreciated. It has a long history, and it is also a key characteristic of the new “new social movements.” We discussed this in the Wroclaw seminar, moving from history to the study of the movements of our times.

Our discussion reminded me of the work of one of my former students, Angela Jones. Her dissertation, now a book, is on the Niagara Movement, which preceded the NAACP. The movement established the first national forum for the discussion of African American concerns by African Americans. Until very recently, it has been viewed as little more than a footnote in the career of W.E.B. Dubois. Jones’s work fills in a gap in history, the first fully developed study of this early episode in the long civil rights struggle. The gap existed because of the insufficient understanding of the importance of creating free public interaction in social movements.

In the democratic opposition to Communist regimes, specifically in Poland, the goal of establishing independent publics was not overlooked. In fact, for quite a while, it was the major end of the social struggle. The constitution of a free public space for discussion and action became the primary end of underground Solidarność in the 1980s. Because the regime couldn’t be successfully challenged, the end became to constitute a zone beyond its control. The end was for individual and collective dignity, to create an area where one could express oneself, appear outside of official definition, consolidate agreement among diverse participants in an autonomous public, which could be applied at an appropriate moment. The goal was to engage in a long cultural march, as Adam Michnik put it in a 1976 classic essay, “The New Evolutionism.”

In the new “new social movements,” this movement feature has been cultivated in a new political, generational and media environment. New media forms have . . .

Read more: Politics as an End in Itself: The Arab Spring and The Creation of Independent Publics