Late Saturday night, I received an urgent email from Tomek Kitlinski “Bad, disturbing, but important news again,” followed by a brief description of a recent event in Poland and his extended thoughts about its meaning. Here, his report and reflections. -Jeff

February 23, 2013, a lecture by Adam Michnik, the foremost dissident against Communism, author, editor-in-chief of Poland’s leading broadsheet Gazeta Wyborcza and regular contributor to The New York Review of Books, was disrupted by a group of Polish ultranationalists. Michnik is Eastern Europe’s most outstanding public intellectual whose books, articles, and, before 1989, writings from prison have shaped the thinking and acting for freedom in our region. Esprit, erudition and engagement in pro-democracy struggle make him an exceptional social philosopher and activist. As Gazeta reported, on Saturday in the city of Radom a group of young people in balaclavas and masks attempted to disrupt Michnik’s talk and chanted “National Radom! National Radom!” A scuffle erupted. The far-right All Polish Youth militiamen were shouting during the lecture.

The disruption of the Michnik lecture follows a pattern of aggression in Poland and among its neighbors. Poland, Hungary, Bulgaria and Russia are gripped by culture wars, as I have explored here. The Polish cultural war is ongoing.

Recently at the University of Warsaw, neo-Nazis threatened a lecture by the feminist philosopher Magdalena Sroda. Ten years ago in Lublin, while Professor Maria Szyszkowska and I were giving speeches about the lesbian and gay visibility campaign Let Us Be Seen, a pack of skinheads marched in and out of the hall, stamping their boots loudly in an effort to distract us. This pattern of disturbing university events could not be more dangerous. Michnik this week is, once again, a focal point of repressive anger.

While ultranationalists hate Adam Michnik for his message of inclusive democracy and they also loathe feminists, LGBT and poetry, Michnik often goes back to his inspiration and friend, the Nobel Prize winning poet, Czeslaw Milosz, who was the object of nationalist outrage over the years, in fact an antagonism that dates back to the inter-war period. Michnik also refers to Nobel Prize-winning poet Wislawa Szymborska: quick-witted, unsentimental and impatient with chauvinist clichés. When she died a year ago, on February 1, 2012, the nationalist MP and Law Professor Krystyna Pawlowicz said on Polish Radio: “I don’t associate Szymborska with Poland.”

A group of young writers protested against this xenophobic comment. Michnik wrote that Szymborska zdążyła przestrzec nas przed nienawiścią (managed to warn us against hate). And in Eastern Europe we badly need this warning, as the event last Saturday reminds us.

Outright hatred characterizes Poland’s ethno-nationalism, which combines with misogyny and homophobia. During a parliamentary debate over same-sex unions this month,  Pawlowicz continued her prejudiced discourse, labeling the LGBT community sterile people of no benefit to society and derided, lampooned and insulted the transgender MP Anna Grodzka. Nigerian-born and bred journalist Remi Adekoya wrote in The Guardian: “As a whole, modern-day “Poland is still a conservative, homogenous society, uncomfortable with minorities – be they sexual, ethnic or religious.”

In Poland, poets have played a political role since Romanticism or even the Baroque. Poetry is the cultivation of inner life and revolt; particularly in Eastern Europe, writing and reading has often encouraged social critique and — sometimes — change. (Banned authors!)

Poets here were silenced under totalitarianism and also under a far-right government in the recent past. Roman Giertych, who served as Minister of Education 2006-7, revived the All-Polish Youth with its interwar anti-Semitism and attempted to delete the eminent writer Witold Gombrowicz (a post-modernist avant la lettre) from school curricula because of his queerness. This was a nadir of democracy here, which Adam Michnik described as “The Polish Witch-Hunt.”

That’s why the poetry and political stances of the two Nobel Prize winners for literature, Wislawa Szymborska and Czeslaw Milosz, are of special significance. Both opposed conformity and chauvinism. As a student in intercultural Vilnius, Milosz intervened against an anti-Semitic rally of the All-Polish Youth militia. He translated Yiddish poetry (through a philological rendering of the text), and in his novel The Issa Valley he focused on his anti-feudal pacifist ancestors from the radical Reformation (Socinians). After World War II, Milosz and Szymborska welcomed the new system which promised equality. She became a party member. He served as a diplomat for the People’s Republic of Poland. Although Milosz soon defected, and Szymborska joined the opposition, they remained progressive until their last days. Just before Milosz’s death, they both signed a petition in defense of a feminist and gay pride in Cracow (Toleration March).

Milosz was a critic of capitalism. As a leader of the current leftist Krytyka Polityczna (Political Critique) movement, Slawomir Sierakowski, reminds us, Milosz was a critic of a society subordinated to the market. Right now  Krytyka Polityczna is publishing Milosz’s unknown and unfinished novel Gory Parnasu, a political fiction. His vision of a robotized and demoralized technocracy places this important new publication alongside the poet’s classic reckoning with communism in The Captive Mind.

After Milosz’s death in 2004, the All-Polish Youth was responsible for a hate campaign against the writer. They accused him of not being a “true Pole,” but rather a “friend of Jews and sodomites.” He was characterized as suspicious, dangerous, anti-Polish. In his poetry, Czeslaw Milosz explored the guilt that Poles have towards the Other. I am particularly moved and touched by his poem “Campo di Fiori,” in which Milosz depicts the indifference of Warsaw residents toward the death and suffering in the Jewish ghetto. The poet diagnosed the failure to admit Poland’s guilt; he wrote of his compatriots as “ill with their own innocence.” This verse from his poem “My Faithful Mother Tongue” was quoted by the then All-Polish Youth leader, Krzysztof Bosak (currently part of the newly formed National Movement), in the official statement of this organization, as “deeply offensive to us.”

Szymborska’s death in February 2012 also evoked hostility: she was vilified as a cosmopolitan intellectual indifferent to Polishness. As mentioned, the MP and Professor of Law, Krystyna Pawlowicz, insulted Szymborska’s memory, and now she mocks same-sex unions and transgenderism. Academics, including the leading conservative historian of ideas Marcin Krol, the expert on anti-Semitism, Joanna Tokarska-Bakir, the feminists Magda Sroda and Malgorzata Fuszara, the queer scholar Jacek Kochanowski, and the LGBT art curator Pawel Leszkowicz, gathered together to protest against Pawlowicz’s homo- and transphobia.

Exactly twenty years ago abortion was criminalized in Poland; this 1993 law still crushes women’s rights. Ten years ago, a landmark lesbian and gay visibility campaign Let Us Be Seen was vandalized. Pawel Leszkowicz and I participated in this campaign and describe it in our chapter for a Routledge book Men Speak Out: Views on Gender, Sex and Power, edited by Shira Tarrant.

Under Michnik, Gazeta Wyborcza has become a major force in the support of LGBT rights under the pen of eminent journalists such as Ewa Siedlecka, Dorota Jarecka and Piotr Pacewicz; the latter went as far as joining the Warsaw Gay Pride in drag! The Lublin branch of Gazeta regularly publishes reportages on homophobia and anti-Semitism by Pawel P. Reszka.

The  filmmaker, author of the Oscar-nominated movie about a Polish working-class saver of a group of Lviv Jews In Darkness, Agnieszka Holland, defined the current prejudiced behaviors in this country as “humiliating, excluding and scorning.” In a recent interview for the Polish edition of Newsweek, Holland, whose father was a Jewish intellectual, said: “It seems to me that the Jew has been exchanged for the homosexual.”

In 2004, the Szymborska and Milosz-supported Toleration March was assaulted with stones, bottles and caustic acid by far-right counter-demonstrators. As a protest against violence, young sociologists Adam Ostolski and Michal Bilewicz wrote an open letter signed, by 1200 people, which diagnosed lesbians and gays as being seen as “the pariahs of Polish democracy.” Later, Green politician, Ostolski, demonstrated parallels between Poland’s inter-war anti-Jewish policies and the current anti-LGBT prejudices. This insight was developed by analyst and activist Greg Czarnecki in his article “Analogies of Pre-War Anti-Semitism and Present-Day Homophobia in Poland” The ultranationalist attack on minorities and poetry continues.

I cherish Szymborska’s poem “Starvation Camp Near Jaslo”: it stings us from complacency and its drastic imagery approaches the unspeakable. At this death camp the inmates ”sang, with dirt in their mouth… Write how quiet it is,” the poet adds. Irena Grudzinska-Gross of Princeton rightly calls Szymborska’s work “Still” “one of the most shocking poems on the Holocaust.” It also warns against anti-Semitism after the war and states how prejudiced views of Jewish names continue: “Let your son have a Slavic name.”

The writings of the two poets were a protest against prejudice, social ills and violence. Szymborska depicted the atrocities of the war in Vietnam. Milosz dedicated a study to Poland’s rare leftist thinker Stanislaw Brzozowski and a book of memories to the conflicts and repressions of the interwar period here. He also authored a book on a poet of affectivity, linguistic genius, esprit and (early!) feminism, and a Warsaw Uprising fighter Anna Swir Swirszczynska.

Both poets accompanied us through the difficult post-1989 transition: Milosz warned against the triumphalism of the church, although he valued religion as a cultural phenomenon, translated the Bible as well as the mystic and workers’ activist and worker herself, Simone Weil.

Elzbieta Matynia of the New School invited Czeslaw Milosz to the Democracy & Diversity Institute in Cracow, where he often read not only his own poems, but also those of Szymborska. In 1999 I moderated a meeting with Milosz and international students of this Institute, during which his poetry reading healed rifts between Kosovar and Serbian participants in the audience.

And Szymborska, although less of a public figure, sent her pithy and disturbing poem “Hatred” to Michnik’s Gazeta Wyborcza, when the country was faced with the threat of a rightist coup d’état: she wrote that hatred has a “grimace / of erotic ecstasy” and a “sniper’s keen sight” (to quote the translation of Clare Cavanagh and Stanislaw Baranczak).

In their openness, Szymborska celebrated the male nude whereas Milosz cultivated the memory of Lublin’s gay poet Czechowicz, and wrote openly and approvingly of his homosexuality. Born in the puritan first decades of the twentieth century, they both proved to be progressive in sexual politics (middle-aged poets here are still in the Middle Ages!). In Poland, the visual arts equal activism:  in particular women’s and LGBT art create a splash. But Szymborska and Milosz, who drew on the avant-garde and produced popular poetry, contributed to the democratization of our post-Communist country. Their writings wake us from the slumber of national pride.

Resentment, conspiracy theories, the Great Lustrator, as Michnik puns on the Grand Inquisitor in his book In Search of Lost Meaning, rule Poland. In my view, prejudices have increased as the transition has lost its way, excluding so many people economically. The fight for minority rights must not overlook the plight of the underprivileged. That’s why we protested the layoff of 400 women workers in Lublin – and we succeeded. But all too often unemployment is wreaking havoc, as in Radom. Therefore, as Gazeta reports, in his lecture there Adam Michnik spoke about how the market economy has unleashed terrible social inequality.

In my view, it’s in the dispossessed of the transition that the far right finds its converts who are made to believe by the demoralized ultraconservative political class in an imaginary purity of the nation, from which all minorities are to be forbidden: Jews, Roma, LGBT and feminists are othered and rejected. We are not “one of our own” in Polish culture; according to the extremists, we do not belong here. After an anti-fascist interview I gave, a critical commenter declared: “Kitlinski, you’re a stranger.”

The poetry of Milosz and Szymborska has been important to the political philosophy and praxis of Adam Michnik. Expert on Eastern Europe Roger Cohen has written on Michnik in The New York Times:

“He was ever the provocateur, this Polish Jew whose paternal family was largely wiped out in the Holocaust. This Polish patriot. This crazy, proud Pole with the low-slung jeans that cry out for a belt, the hair conscientiously uncombed, the Polish-Latin lover’s stubble and the mind that is anything but sloppy. As he provoked, he probed: the totalitarian mind was always a target for him, even in its fathomless grayness.”

Now Adam Michnik probes the old-new prejudices  of our region of Europe. Ever with courage and wit, he challenges ethno-nationalism. His is a badly needed idea of liberty. With a full awareness of his roots in poetry, imagination and decency, I deplore the violence against his lecture in Radom.

As China revealed its repressive nature in its response to the prize, the dignity and critical insight of the dissident was revealed in Liu’s own words, as Liv Ullmann read his “I Have No Enemies: My Final Statement to the Court.”

The same pattern occurred in awarding Michnik’s doctorate, though in his case it was a two part story.

Part One: Michnik was scheduled to receive his degree in a university ceremony in New York on April 25, 1984, commemorating the Fiftieth Anniversary of the University in Exile (what would become the New School’s social science graduate school in which I am a professor) by honoring human rights activists from around the world.  Because Michnik was imprisoned as part of a martial law crackdown on independent thinkers and political and labor activists, Czeslaw Milosz accepted the honorary degree on his behalf and read from his “Letter for General Kiszczak”, in which Michnik declined an offer of exile as the condition for release from prison.

The Polish Nobel Laureate for Literature read the democratic activist’s passionate denunciation of his interior minister jailer and Michnik’s justification of his commitment to human rights: “the value of our struggle lies not in its chances for victory but rather in the values of its cause.”  He explained in the letter how his refusal of a comfortable exile was an affirmation of these values, keeping them alive in Poland.

Part Two of the story actually occurred on International Human Rights Day of 1984.  It suggested and led to much more.

I was in Warsaw for the unofficial ceremony presenting Adam Michnik his honorary degree from The New School after he was released from prison as part of a general amnesty.  I met him the day before the event agreeing upon the logistics.

The ceremony, itself, was moving, not a major international event, but still reported by the New York Times.

“In an apartment across the street from Mokotow Prison where he spent two and a half years, Adam Michnik, the Solidarity adviser and activist, received an honorary doctorate Monday from the New School for Social Reseach.

Mr. Michnik accepted the green and white academic hood presented to him by Jonathan F. Fanton, president of the New School, in the living room of Edward Lipinski, the 98- year-old Polish social activist.

It was in this same apartment that Mr. Michnik and his colleagues formed the now banned Committee to Defend Workers, which was known by its Polish initials KOR and which acted as an intellectual support group for the Solidarity movement.”

The week following the ceremony Adam introduced me to his world.  We spoke around his living room table and the kitchen tables of scholars, intellectuals and artists of Warsaw, and also in a room of a patient, Jan Józef Lipski, at the cardiac hospital on the outskirts of the city.

We went to the hospital the day after the ceremony.  Michnik wanted to share with the respected opposition historian his excitement over the honorary degree (an excitement that really surprised me).  They spoke about Lipski’s recent research on inter war Fascism in Poland.  We spoke about the significance of the Pope for independent minded Poles, workers and intellectuals.  This was one of the many conversations Michnik and I had about contemporary history, politics and political theory.  We shared our fascination in the philosophy and political theory of Hannah Arendt.  We also spoke about common friends in Hungary and Czechoslovakia.

Upon leaving the hospital, Michnik turned to me and proposed, a seminar idea, “now that we are New School colleagues.”  Vaclav Havel, in Prague, György Bence, in Budapest, he in Warsaw and I in New York would organize parallel seminars on the topics we had been discussing during my visit.  The starting point of the discussions would be Hannah Arendt’s The Origins of Totalitarianism. Each group would read a common assignment, exchange summaries of the proceedings and propose further study.

From 1985 through 1989, the seminar functioned in Budapest, New York and Warsaw.  Political conditions made the seminar impossible in Prague.  The Polish sociologist Jerzy Szacki chaired the Warsaw seminar, because three months after our agreement Michnik was again imprisoned, charged with treason.  There were many twists and turns in the seminar, many interesting discussions and some significant exchanges.  It continued to function into the 90s across the former Soviet bloc.  One of many alternative spaces for free intellectual exchange was established and functioned, a zone of free intellectual life.

Noteworthy from the point of view in December 2010, is that the ceremony on Human Rights Day in 1984, which marked the importance of a human rights commitment as an end in itself, did empower activities that pointed in the direction of 1989, when the repressive regime in Poland and beyond, collapsed.

We know how the Chinese government and other governments have disgraced and distinguished themselves as they responded to Liu’s Prize.  What we don’t know about are the hidden activities, such as my visit with Michnik to the Cardiac Hospital in Warsaw.  Michnik may have been right about the primary value of his actions, but we should note that his actions, along with his colleagues, also led to further quite practical and significant consequences.  In China also?

The air in Johannesburg (Joburg to the locals) is full of discussions on this year’s Nobel Peace Prize.  When I heard about Liu Xiaobo, I thought about events that took place in Poland 30 years ago, and about a message written by workers on strike in the Gdansk Shipyard in August 1980.

One of their most prominent graffiti, written in huge, uneven letters on cardboard and mounted high up on a shipyard crane, was the statement, uncontroversial elsewhere, “A Man is Born and Lives Free.” This year’s Nobel Peace Prize given to a Chinese political prisoner brings the spirit of this graffiti to China, re-inserting it in a landscape “freely” filled with billboards advertising Western luxury brands like Lancôme or Mercedes Benz. Will the Chinese notice the message?

There are those moments in history when the Nobel Prizes turn out to be truly performative.

When Czeslaw Milosz, whose poetry was forbidden in communist Poland, received the Nobel Prize in Literature in October 1980, it seemed to lend further legitimacy to the democratic aspirations of the workers as articulated in the Gdansk shipyard.  The poems of Milosz had only been published underground and the workers had come to know them through their strike bulletins. And now the workers, who had demanded a constitutional guarantee of freedom of speech, press, and publication, won their strike, and the poems — arrested till then in the Office of Censorship — became widely available. I have no doubt that the award given to the poet who wrote about freedom and captivity further encouraged the human rights agenda of the Solidarity movement, and contributed – even if only for the 16 months of Solidarity’s legal existence — to the unprecedented sense of emancipation in the country.

Those 16 months of Solidarity were a time when Poles experienced the dignity of personal freedom. They were months of intensive learning that paid off in 1989 when the society launched a deliberately peaceful process of dismantling the authoritarian system.

But 1989 brought not only the joyous image of the Berlin Wall being taken down, but also horrifying images of the Tiananmen Square massacre, where tanks charged defenseless students demanding democratic reforms.

Would the Nobel Peace Prize awarded to one of the students at Tiananmen Square, Liu Xiaobo, bring new strength to those who sat there with him, those who looked on, and those who are  younger and know little about the students trying to stop tanks?

While I was finishing this note, trying to return to my reflection on performativity, I received an email with a piece on the Nobel Peace Prize written just a moment ago in Warsaw by Adam Michnik, one of the Solidarity movement’s leaders, for today’s Gazeta Wyborcza, the second-biggest newspaper in Poland.  I opened it quickly, as I know that he traveled to China this July, and I’d like to end with a brief excerpt by this seasoned political thinker, lifelong dissident, and former political prisoner:

“I was struck in China by a vast change that is rarely reported on by the world’s media — the newly independent public opinion, and the embryonic civil society emerging there.  Liu Xiaobo, the Laureate of the Peace prize and a political prisoner, was one of the creators of this public opinion and civil society. He paid a high price for this – the price of discrimination, loneliness, and imprisonment. Liu deserves admiration and respect, as he is one of those people who restore a belief in the existence of elementary values.”